his is probably both the oldest and youngest form of traditional dance in Scotland. Solo step-dancing developed out of the stepping on the spot from the old Reels. Until around 1992 step-dancing was rarely seen or danced in Scotland and few people knew about it. It’s rediscovery partly occurred through the visits and teaching in Scotland of Cape Breton step dancers, in particular Harvey Beaton and Mary Janet Macdonald. This dancing was kept very much alive in Cape Breton Island, Nova Scotia, Canada by Scottish immigrants who settled there in the late 1700’s. The style is exciting, percussive footwork, danced in hard-soled shoes to music played at a particularly tempo on pipes, whistle, fiddle or puirt-a-beul (mouth music). That is, beating ones heels, toes and feet in as many ways as possible and imaginable, keeping time with the rhythms of the music in strathspey, reel and jig time. There are many steps that can be learned passed on through family generations. The style has never been prescribed, except dancing steps neat and close to the floor. Many dancers have their own individual style and steps they like to do to particular tunes. Scottish traditional step-dancing seen in Scotland today has been learned from Cape Breton step dancers, this in turn originated in Scotland. Some of the beats of the feet from step-dancing can be seen in many of Scotlands other traditional dances, for example in Highland (Flowers of Edinburgh), Hebridean (Till A-Rithist/Aberdonian Lassie), Ceilidh (Jacky Tar).